![]() ![]() ![]() This track is probably the best in "Ayutha Ezhuthu". Madhushree sounds sweet in "Sandai Kozhi". The first track in "Ayutha Ezhuthu", "Hey Goodbye Nanba", featuring Shanker Mahadevan, Lucky Ali, Karthik and Sunitha Sarathy, is a worthy introduction to the whole album, but "Jana Gana Mana" by Rahman and Karthik is a bit of a letdown, though it has compelling rhythm and could get some young feet tapping away. It is nuances like these that make Rahman's music not just a casual listener's dream but a fest for a serious listener as well. This and the arrangement distinguish his music as much as the choice of unusual musical sounds like the clatter of a typewriter keyboard or the hammering of a large building under construction. Rahman's music combines melody with a strong rhythm that electrifies one, inducing a primal urge to move with the beat. The trend continues with "Ayutha Ezhuthu", a Mani Ratnam film. So it has been with "Roja", "Bombay", "Alai Paayuthe" and even "Boys". ![]() But listen to it a second and a third time, and the nuances of the music leave you enthralled. For the last more than 10 years, he has created music that you might not like much on the first hearing.
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